SVET MILU searches for a new language of painting by going deep down to the linkages of the material and spiritual worlds that helps reflect upon our real selves. Through oil colours, sand and mirror, her work frames the visions of pre-matter and inevitably ask the observers – caught by the mirror – to intimately reflect upon themselves and their fragmented ideas and lives. This is an attempt to transform the field of painting canvas into a spiritual essence – by reaching the depth at molecular level where the two worlds interact and by creating a genuine relief sign that will, being freed form the pressure of object, behave as an autochtonous being and not only as a representation of the observed and experienced. This lyrical-philosophical abstraction is the lens of convergence points between the material and spiritual worlds, as well as the presentation of their dualism and continuing struggle. Drops of sand, which is unstable and organic material, symbolize the visible material life, the body, as well as the instability of external world and a constant change as its imminent characteristic. Pieces of mirror present the soul and our spiritual life with all its fragments, phases, and processes.